Ultimate Amr Diab blog

Egyptian megastar, Amr Diab, has remained in the limelight for decades, setting trends, beloved by millions, sometimes controversial, always blogworthy.




Friday, October 28, 2005

Feast Albums by Al Saher, Al Rumi and Tawfiq

And here we go ... a contradiction to the contradition of a few days ago. Who do you believe?

Cairo – Despite the fact that only a few remain before Eid Al Fitr, there is a state of vagueness surrounding the market of Arab cassettes, awaiting what these days would end up to, in specifying the names of the singers, who decided to issue their new albums and those who preferred to postpone them until the coming Christmas or Eid Al Adha.

The German news DBA has observed the albums that have been decided to be introduced during the feast and found out that Egyptian singers are almost absent from the season, especially as most of them prefer the summer and Eid Al Adha seasons.

The first singer who decided to issue his album is the Iraqi singer Kazem Al Saher, who concealed the details of the album and did not tell any of his close contacts of even its title ... Eid Al Fitr shall witness the issue of a new album by the Lebanese singer Majda Al Roumi ... The Lebanese Waleed Tawfiq announced the issue of his new album 'Teir Sagheer" ... The fourth Album that would certainly be issued has been recorded by the singer Jannat, which is her first album. The young singer has suddenly become popular due to her dispute with the singer Amr Diab on the ownership of a song with the title of 'Elli Beini We Beinak', which Jannat has selected as a title for her first album that includes 10 songs.

The Egyptian singer Shereen Wagdi is still working on finishing her new album ... despite the fact that the close companions to Shereen confirm that the album would be issued in the feast, she did not announce that yet.

As regards Amr Diab, he made up his mind on postponing the issue of his new album that has been severally postponed, which was supposed to be issued last August. Al Rai

Link to 29/10/2005 04:49:12 News from Al-Mendhar

Thursday, October 27, 2005

Souad Saleh: Time to tear down divides

I came upon this because she does mention our Amr in here. It's a long article but I thought I'd post it. Maybe it will provoke some comments from you (normal silent) audience.


Her area of academic specialisation is fiqh , or Islamic jurisprudence. And, though one of the best known women preachers in the Islamic world, she remains a faithful child of the 1960s. And in this respect she feels she has had the good fortune of growing up within an open-minded family, one that strongly believed in its female members' right to equal educational opportunities. Success came early to Souad Saleh as she followed her father's advice to study religion at the then newly-founded Al-Azhar University women's department. At first she was reluctant to do so. "'Why study Islamic religion?' I told myself then. But it's a decision that inspires nothing but pride." A vehement proponent of women's rights, she also listens attentively to her husband's injunctions.

"Islam is not what it used to be."

The petite, yet iron-willed preacher-professor fidgets in her armchair at her office in Nasr City. "We have watered down the inspired message. We have forsaken the true spirit of Islam." She does not argue against a literal interpretation of the Quran but does not delve too deeply into what she sees as petty sideline questions -- such as whether a swimsuit is shar'i (abiding by Sharia or Muslim law).

"I am for swimwear that does not cling to the body," she arches one eyebrow and launches into a spiel that manages to sound both well- rehearsed and articulate.

Saleh does not mince her words. "Today, we stress rituals and disregard the real essence of Islam." She warms to her theme. Souad Saleh is on a mission to put Muslim women first.

Saleh has a sprightly step and an impish grin. Her tone, however, is earnest. She was the first woman dean of faculty at Al-Azhar University. She is a prolific writer, who has written extensively about Islamic topics ranging from family law to women's rights -- more than seven volumes on Islam, and at least four in-depth research works.

She is outspoken, even curt at times, but she also exudes feminine tenderness and love. "The perception is growing in Egypt and throughout the Muslim world that attitudes like ours make sense. Islam is winning hearts and minds the world over," she chuckles triumphantly.

Saleh is no feminist, though, and abhors notions of Western feminism that pretend that women have the same duties and responsibilities as men. The first duty of a Muslim woman is to be a conscientious mother and home-maker. The Muslim man is the head of the family and the bread-winner. If a woman feels that she can honestly combine a career with her first obligation as a mother and home-maker, then so be it.

"I am not saying that women must not work, far from it. I have worked all my life."

Strangely enough, she had barely finished her sentence when her phone rang and she smiled coyly at me. "It is my husband," she giggled girlishly. She asks if he needs anything and they discuss a number of domestic matters.

Saleh ponders the highlights of her teaching and preaching careers. "Making people of all walks of life interested in the religious dimension -- in Islam." She appears regularly on pan-Arab satellite television channels. She lectures and gives talks on the faith and on the position of women in it. She has emerged as one of the most articulate female preachers in the Arab world. Her message is loud and clear: Islam is pure and simple, and it holds women in high esteem.

The nuptial vow is sacred, Saleh stresses. Marriage in Islam is based on al-mawwadah war- rahmah (the affection and compassion) exchanged by spouses. Tender words and unselfish care is vital in cementing conjugal ties. She acknowledges the centrality of marriage in Islam.

Saleh stresses the central role of the family as the basic unit of Muslim society and hence the vital importance of Muslim family law in governing and regulating Muslim communities. Marriage, she insists, is incumbent on every Muslim except in cases of financial insufficiency or physical handicap. Saleh cannot see the world through the prism of feminism and female economic independence, whence the rights, duties and responsibilities of men are not taken into account. The sort of feminism prevalent in the West where women want to take on male roles in societies is unacceptable in Islam. "Men are men and women are women," she says nonchalantly. "Marriage is the legal and moral provision for regeneration among Muslims," Saleh says.

Her dark eyes hold mine intently as she speaks. "In the days of the Prophet Mohamed, peace be upon him, there was no strict segregation of the sexes. Women and men prayed together and they fought battles together side by side. There was genuine equality," she stresses.

She speaks with the authority of the preacher that she is.

Saleh rolls her eyes at the mention of Sufism. "Now that is a subject that fascinates many Westerners. Orientalists, in particular, see Sufism as the acceptable face of Islam," she says without hesitation. "Contemporary Sufism is a product of Western colonialism. Indeed, the colonialists encouraged the spread of Sufism and Sufi orders in the Muslim world in order to divert the colonial people's attention from the anti-colonial struggle. Sufi Islam was the opiate of the masses."

According to Saleh, the real jihad is against the self and she cannot understand or sympathise with the mindset of those who claim to be the modern-day mujahideen. "We eschew the jihad of the self which is the noblest and most sublime of jihads in Islam."

Pure Islam is revealed to the receptive heart, Saleh explains, speaking of the infinite distance between pristine Islam and the hocus-pocus that passes for Islam today. She smiles wryly at the topic of women's rights and dress code in Islam being broached.

There is no Quranic text that promotes niqab, Saleh says. The injunctions urging Muslim women to don the hijab are clearly stated in Surat Al-Nur and Surat Al-Ahzab. "The Quran clearly states that a Muslim woman should wear the hijab, even though the face should not be veiled." Saleh recounts how she has had to force her munaqabat students at Al-Azhar University to remove their facial veils when they sit an exam. "How else can I ascertain the identity of the young woman? How do I know if another individual is sitting in her place. The niqab, in my view, is not acceptable."

Saleh believes that niqab is foreign attire imported into Egypt by people returning from oil-rich Gulf Arab countries. "Egyptians sought employment opportunities in the Gulf in the 1970s and 1980s and they returned with novel ideas. They came back with ideas that were neither traditional Egyptian nor Islamic. They were not part of a universal Islamic tradition." Saleh expresses concern about the new trend of preachers spreading their own brand of Islam. She strongly believes that a Muslim woman should wear the customary hijab. But she insists that Islam never stipulated how it should be worn. "There are cultural variations and different designs. But Muslim women are free to chose the style of dress, colours and textiles of their attire.

"We have a tendency to bury our heads in the sand like ostriches."

Unfortunately, she says, the vast majority of modern Muslims focus on appurtenances and appearances and often end up splitting hairs. About militant Islamist preachers, she says, "they do not allow for growing complexities, for social and historical factors. There is a growing demand for direct engagement that extremists cannot deal with.

"There is a global awareness, in the Arab and Muslim world as elsewhere, with religious and political leaders who leave no space for the emergence of participatory democracy -- one in which women have full and equal rights," Saleh insists. "Law in Islam is both universal and egalitarian, but not uniform." And it is at this point that I put it to Saleh that the militant trend is a threat. "I go to the Opera and enjoy listening to Um Kalthoum. And one of my all-time favourites is Amr Diab's Nur ala Nur. Music is not in itself haram (prohibited by Sharia). Only decadent music is," Saleh explains. "The sexually suggestive video clips are most certainly haram."

For preaching, she recommends the works of Sheikh Mohamed Al-Ghazali, whose most important treatise on women in Islam was banned in Saudi Arabia, and categorically rejects the ridiculous notion that women are fitnah and aoura (temptation that must be concealed). The hadith verses advocating niqab are all weak (not verified), she says, and most are unsubstantiated.

"The Sufism that I admire is that of Rabaa Al-Adawiya and Ibn Al-Arabi, exceptionally spiritual people who were first and foremost true believers," Saleh explains. In the course of a career spanning more than 30 years, Saleh has become one of the country's most outspoken female defenders of Islam. She is a firebrand preacher whose main goal is to inculcate a sense of obligation to religion in the young. Her main audience is young women.

As head of Al-Azhar University's Islamic and Arabic Sudies Department, Women's Branch, her students are exclusively women -- the vast majority young.

Her students hail from a wide range of social backgrounds, both urban and rural, and they come from all over the country, Cairenes and provincials. She cares deeply for them all. But she is especially interested in the welfare of the foreign students who come from as far afield as Thailand, Indonesia, the Philippines and other Southeast Asian countries.

"I supervise the doctoral dissertations of several of these students from Southeast Asia and I am especially interested to know how they practise Islam, especially in countries where Muslims are a minority such as in Thailand and the Philippines." Saleh has fond memories of her teaching experience. She proudly confides that one of her students has been nominated for the position of women's affairs minister in her native Indonesia. "Her doctoral thesis was intriguing and very engaging -- women's political participation in the early days of Islam." Surat Al-Mumtahana, she reiterates, clearly gives women the right to participate in all aspects of public life.

During a visit to Italy last December, Saleh explained to her Italian hosts the position of women in Islam. She is adamant that the conception of women introduced by the Prophet Mohamed marked a turning-point for women across the world, not least incorporating the notion of women's inheritance which lies at the heart of the new conceptualisation of their rights. Muslim women were the first to be granted the right to inherit property and conduct their own private business affairs. This was so at an age when the women of Europe and Asia were not allowed to own property, inherit wealth and in some instances were treated as chattel.

There can be no uniform justice, and especially when it comes to the laws governing inheritance of men and women. At the conference Saleh pointed out that the Sharia inheritance laws are regarded as something of a time bomb by secularists. Westerners, unfortunately, do not understand the basis on which women are made to inherit half of what men inherit.

Saleh is especially indebted to her husband the literary critic El-Sayid Abdel-Raouf. He has encouraged her in both her teaching and preaching careers. She feels exceptionally lucky to have had a father who encouraged his daughters to "learn and be educated and work". Her husband has been equally supportive. "I believe women have the right to be heads of state, but women cannot be made grand sheikh of Al-Azhar," Saleh says. "But there is no injunction in Islam to ban women from issuing a fatwa or religious edict," she insists.

There is no compulsion in religion, she says, but there are rules and regulations that Muslims must adhere to. In Saleh's book, however, women must accept the guardianship of their male members of the family and especially the father and husband. But Saleh is careful to note that guardianship entails duties and responsibilities. " Al-qiwamah ala al-nisaa (guardianship over women, a vital and sensitive cornerstone of Islam) does not give male members of the family licence to oppress their female counterparts. Islam enjoins men to protect, love and care for their women folk."

But Saleh has some harsh words for a certain kind of women. "Women are often their own worst enemies. I learnt from bitter experience that some women do not take kindly to being given orders from women bosses. Many women prefer male bosses. Some women, including colleagues, have been among my harshest critics."

Interview by Gamal Nkrumah.
Link to this interview by Gamal Nkrumah

Tuesday, October 25, 2005

CONCERT - Cairo 27 October 2005

CONCORDE EL SALAM HOTEL CAIRO
65 Abdel Hamid Badawi Street
P.O. Box 5614 Heliopolis - Cairo - EGYPT
Tel. : (20) (2) 622 60 00
Fax : (20) (2) 622 60 37

Amr Diab Begins Countdown

Happy news that will hopefully override yesterday's blog

Out of 22 songs recorded, Egyptian singer Amr Diab chose only 10 songs to include in his upcoming album, scheduled for release during the Muslim holiday Eid El Fitr. Amr worked with a number of prominent poets and composers to ensure the quality of his album, in addition to composing two of the songs himself.

Diab had gone on a strict diet and began exercising in order to loose 10 kilos before filming first video clip from his album. the singer was able to loose the weight in time to shoot the clip before releasing the album. The singer will be appearing in a totally different look from any he had in the past.

The Music production company Rotana demanded that Amr submit the master copy of his upcoming album, to ensure that it is released at the appropriate time, according to Rotana officials. Amr had pushed to record the songs for the new album in an effort to meet the deadline set by Rotana, but suddenly decided to postpone the release, due to the recent tragic conditions that have hit the region. It was rumored that Rotana sent the demand after learning that the singer had reopened negotiations with his previous production company Alam El Phan, fearing he may leave Rotana.

Link to Al Bawaba

Monday, October 24, 2005

The Crowdedness of the Feast Moves to the Cassettes' Market

I didn't make up that title - it's the real deal. Translation of the article: it'll be well into November if not December before we see the new release

Due to the recent crucial security and political conditions witnessed in the Arab arena, some singing stars were forced to postpone the issue of their albums that used to be introduced in the market at cetrain (sic) dates during the summer season. Nevertheless, production companies have recently found that it is due time for preparing a marketing plan for issuing these works immediately after Eid Al Fitr.

The first of these dates would be for the two albums of the singers Kazem Al Saher and Wael Kafouri. The two stars started preparing marketing plans for their works. Al Saher has video taped a new poem by the poet Nizar Qabani, directed by the Jordanian director Hussein De'eisbis, which is planned to be screened on Rotana, a few days before the Eid.

After Kafouri and Al Saher, works would gradually be issued for Najwa Karam, Majda Al Roumi, Melhem Barakat, Amr Diab, Alisa, Mohamed Al Baloushi, Fayez Al Sa'eed, Huwaida, Nelli Maqdesi, and others.

Within the crowd of so many names, these singers and the offices that run their works have started workshops for preparing the necessary marketing plans and booking the advertisement signs on the roads and in magazines for promotion and marketing. Some of them have started preparing for shooting their songs as video clips. Everyone is hurrying to video clips, considering them as the sole winning card, while the factors of the success of songs have disappeared, as sometimes a romantic song becomes a 'hit' and the market is flooded with a wave of slow songs, accordingly. Other times, an eurhythmic song succeeds and everyone resorts to the same composer for making similar songs.

Until this huge amount of new albums is issued for top stars like Kazem Al Saher, Najwa Karam, Majda Al Roumi and Melhem Barakat, the success of these works remain conditional to the political and security conditions. Would the stars of Arab signing achieve the success that they attempted to postpone from the past summer to fall, or would their calculations be remote from harvest? A few days remain for the blessed Eid Al Fitr, whose happiness is mingled with the happiness of the audience that is waiting for the happiness coming from voices that they love. - Al Hayat

Link

Tuesday, October 11, 2005

Happy Birthday

I'm sure you'd all like to join me in wishing Amr a very happy birthday!! And I'm sure, like me, you can't believe he's 44 years old. Of course I can't believe how old I am either ... nor am I telling YOU!! Have a great day, Amr!! Let us know how you spend it!!

Tuesday, October 04, 2005

Is this the rhythm of a world in step?

KABUL, AFGHANISTAN � What if it could be proved that no two nations that play salsa music have ever declared war on each other? Some of the best salsa music in the Middle East comes from Egypt and Israel, for instance. Both nations have been at peace since 1979, the same period when salsa began to take hold. A coincidence? Perhaps not.

The first time I heard Arabic salsa music, I was in a taxi in Dubai, United Arab Emirates, racing to catch a connecting flight to Afghanistan. The taxi driver, a Pakistani, was playing an incredible song on his radio. First came the Latin rhythms on bongos, then the rush of flamenco guitars. It sounded like the sort of dance music I grew up listening to in south Texas but with a distinctly Middle Eastern trill of the voice and the guttural lyrics that could only be Arabic.

The music was a revelation. After Sept. 11, and the media barrage proclaiming a "clash of civilizations" between the West and the Arabic world, here was evidence of something quite the opposite. Instead of a clash, this was a blend, and a gorgeous one at that. It was a reminder that there were other voices in the Arab world than Osama bin Laden, and good voices at that.

"Amr Diab," the taxi driver announced proudly. "He is Ricky Martin of the Arab people." Age has taught me manners, so I remained silent until I reached the airport. But in my head I was thinking: I know Ricky Martin, from his few years at the top of the charts. And Amr Diab is no Ricky Martin. He's much better. At the airport, on the way to my gate, I grabbed every Amr Diab tape on the rack of the airport's ample music store.

Once in Kabul, my Afghan driver in Kabul was very enthusiastic when I put it into the tape deck of his Toyota Corolla. "Thank you, thank you, Mr. Scott," he said, giving me the thumbs up and his only four words of English.
It was then that I realized two things. One, I would never see these tapes again. And two, that salsa is universal. It takes root in whatever soil it is planted. In the past four years in South and West Asia, I have heard salsa in Arabic, Persian, Dari, Urdu, Hindi, Indonesian, Thai, Sinhalese, and Nepali. With such universal acceptance, one starts to think of whether salsa can contribute to world peace.

But let's just focus on Arabic salsa for a moment. By far, the prime practitioner of the art is Amr Diab. His greatest hits album, "The Very Best of Amr Diab," should be in the collection of any worldly world-music lover. Most of my friends can sing the words to his hit song "Nour Elain," ... but then, keep in mind that most of my friends are war correspondents who travel between Baghdad and Kabul. Perhaps not a representative crowd.
The most satisfying thing about Arabic salsa is the fact that it fits so well. You hear the ululating of an Arabic singer, and you compare it to the harsh vibrato of the Gypsy Kings, and you are suddenly aware that you are standing on that middle ground between cultures.

From about 700 A.D. until a few years before the discovery of America, Spain was a land occupied by Muslims. Its universities taught Arabic. Its musicians and troubadours sang in Arabic. Its architecture and arts were all influenced by the Middle East, and Europeans flocked there for decent educations. Is it any surprise that Arab singers would find Latin music attractive? Amr Diab is not alone. Over the past few years, there have been plenty of other examples - including Cheb Faudel's "Salsa," Natacha Atlas's French-and-Arabic language "Ne me jugez pas," the Gypsy Kings' crossover Arabic song, "Alabina," and Hakim's Spanish-language hit, "Los cuatros punales," - of those who have experimented with salsa in the past years. There is even an Iranian singer named Andy who has gotten into the salsa game with the Persian-Arabic salsa hit, "Yalla."

Ya Allah, indeed, the Islamic extremists must be thinking, as they tug at their beards. What has happened to the new generation? All they want to do is dance, and run down the street singing, "Habibi... habibi... habibi... el Nuor Elain (My darling, you are the light of my eye....)" How exactly can one carry out a clash of civilizations if civilizations refuse to clash?

By Scott Baldauf | Staff writer of The Christian Science Monitor
Link

Saturday, October 01, 2005

Diet of the Stars

Amr Diab on a Strict Diet (01-10-2005, 10:54 GMT)

Egyptian pop-star Amr Diab has gone on a strict diet and began exercising in order to loose 10 kilos. The singer is determined to loose weight before filming first video clip from his upcoming album.

Link